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Our Legacy

The Edge School of the Arts (ESOTA) was founded in 1996 and modeled after the prominent Bernice Johnson Cultural Arts Center, which stood as a beacon of cultural and artistic excellence in Southeast Queens for almost 50 years.

 

Beverly Edge (our Facilities Manager), was among BJ’s first students, and Beverly’s daughters – Donna, Wendy, and Kerri followed in their mother’s footsteps. In 1993, Kerri formed the children’s dance ensemble KECDE! (kekda) within the walls of the BJCAC. When BJ’s health declined, Beverly, Donna, Wendy and Kerri decided they could best continue her legacy by opening their own school and the Edge School of the Arts opened its doors in September of 1996. The school is family owned, and operated by management and teachers with years of professional dance training and experience.

 

Over the past 26 years, ESOTA has dedicated itself to bringing the art of African American dance to young aspiring artists and both community and international audiences. Our Artistic Director, Kerri Edge, is a visionary and is creative mind behind the organization’s programming. She has created a repertoire of works that celebrate African-American achievement and the development and administration of creative arts programming that exposes young people to multiple art genres incorporated with academic concepts.

 

Our Accomplishments (click to view)

 

Our Impact

While we offer high-quality dance instruction, our learning goes beyond the art and creativity developed by our phenomenal faculty in the classroom and viewed on stage by audiences. ESOTA kids learn how to work collaboratively. They’re taught the significance of giving back to their community and helping others through neighborhood beautification projects and student teaching. Our kids develop life skills, through local performances, including leadership, public speaking, history, writing, and research. They’re trained to become artivists…..using dance as their voice to teach history to audiences of all ages, while advocating for social justice issues. A village of teachers, managers, class moms, parents and mentors, teach the lessons learned both in and outside of the classroom, which prepare them for the workforce.

 

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FROM THE LOCKER ROOM
TO THE LIMELIGHT

6yr Old Dancer, Raine

6 year old Raine was my first interview. She takes ballet,  african,  jazz, tap, modern and hip hop at ESOTA. The Edge School of the Arts.      She was quite a delight!

WHAT IS ATHLETIC AESTHETIC?

ABOUT THE PROGRAM
ATHLETIC AESTHETIC BRIDGES THE GAP BETWEEN SPORTS AND THE PERFORMING ARTS BY OFFERING DANCE AND MOVEMENT-BASED TRAINING TO YOUTH ATHLETES. INSPIRED BY ELITE ATHLETES LIKE SERENA WILLIAMS, LEBRON JAMES, AND GABBY DOUGLAS - WHO HAVE CREDITED DANCE WITH ENHANCING THEIR GAME - ATHLETIC AESTHETICS PREPARES YOUTH FOR EXCELLENCE BOTH ON AND OFF THE FIELD.

WHETHER IT’S ONE-ON-ONE SUPPORT, TEAM INTEGRATION, OR GROUP WORKSHOPS, PARTICIPANTS IMPROVE BALANCE, COORDINATION, MINDSET, AND MOBILITY - ALL WHILE BUILDING CONFIDENCE AND CREATIVITY.

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Movement

Matters

Modern, Ballet,

Diasporic, and

Rhythm Training

Integrated Workshops

With Rosedale Jets, Jamaica Bulls, Queens Baseball Alliance & more

College & Conservatory Prep

Specialized support for high school admissions and scholarships.

Workforce Pathways

Explore sports media, talent management, health careers & financial literacy

TESTIMONIALS

KOBE BRYANT

“Ballet and tap dancing provided Kobe with the agility required to slither through tough defenses."

- Not Just Tap Dancing, Kobe Bryant Learned Ballet Too — TheSportsRush, June 9 2025

STEVE MCLENDON

“It keeps you injury-free — your ankles, keeps your feet strong, your toes strong; you get away from knee injuries.”
— Sports Illustrated Kids, “Twinkle Toes in the NFL”, August 2 2016.

NAKOBE DEAN

“There’s way more flexibility, of course. Way more mobility… It’s definitely something that’s helping.”
— quoted in a Reddit post about his ballet training for rehab.

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CONTACTus

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